Family Entertainment | ||||
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Studio album by Family | ||||
Released | February 1969 | |||
Recorded | 1968-1969 | |||
Genre | Progressive rock, psychedelic rock | |||
Length | 39:35 | |||
Label | Reprise | |||
Producer | Glyn Johns, John Gilbert | |||
Family chronology | ||||
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Source | Rating |
Allmusic | [1] |
Family Entertainment was the second album from the British progressive rock band Family, released in February 1969. The cover of the album was a clear takeoff from the sleeve of the Doors' second album, Strange Days, as Family frankly admitted.
Family Entertainment was the last album from the group's original lineup.
Contents |
After the critical success of their 1968 debut, Music in a Doll's House, many aficionados of British progressive rock wondered how Family could avoid repeating themselves and still sound fresh. Family, however, were hardly a static psychedelic band, as Music In a Doll's House might have suggested: their sound was largely influenced by folk, country, and pop, all solidly rooted in the blues. The group, under the production of Glyn Johns and Family manager John Gilbert, would create a worthy second album that drew on all of their musical influences and abilities.
The album opened with "The Weaver's Answer", a haunting, stately song about a dying old man about to see his life in the form of tapestry. Lead singer Roger Chapman sings the lyric of remembrance with a great deal of grit and a heavy blues undercurrent throughout; the final violin passage from Ric Grech perfectly symbolizes the old man's moment of death. On much of the rest of the album, Family blends seemingly contrasting styles within single songs; the anti-war rant "Hung Up Down" blends a madrigal melody with a guttural blues-rock bass line, while "From Past Archives" cuts suddenly from a lilting ballad melody to a hip jazz arrangement.
Charlie Whitney was enjoying the thrill of discovering new worlds on Family Entertainment with his dreamlike song "Processions," about a little boy fantasising about his life ahead while enjoying a day at the seashore, while "Observations From a Hill" - sung by Jim King - finds magic and beauty in the most mundane scenery of Family's hometown, Leicester.
Ric Grech stood out especially on Family Entertainment, his fast rocker "Second Generation Woman" being the exciting opener of side two. His other two songs grabbed attention as well. "How-Hi-The-Li" acerbically thumbed a nose at authority figures, while "Face In the Cloud" conjured up beautiful dreams of an ideal world. (Tellingly, all of Grech's songs contained explicit drug references, and drug abuse would eventually lead to his premature death at 43 in 1990). The album closed with "Emotions," an immaculately produced choral number in the manner of the Rolling Stones's "Salt Of the Earth."
Family's momentum was almost derailed by the departure of Grech for Blind Faith two months after Family Entertainment's UK release, which caused their first U.S. tour to founder, and Jim King only worsened the situation with his departure later in 1969. But the album gave their music a new direction, and remains an indisputable classic. "The Weaver's Answer" would go on to become their signature song.
All selections are by Roger Chapman and Charlie Whitney except where noted.
No. | Title | Writer(s) | Length |
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1. | "The Weaver's Answer" | 4:57 | |
2. | "Observations from a Hill" | 3:11 | |
3. | "Hung Up Down" | 3:13 | |
4. | "Summer '67" (instrumental) | Whitney | 3:19 |
5. | "How-Hi-the-Li" | Grech | 4:57 |
No. | Title | Writer(s) | Length |
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1. | "Second Generation Woman" | Grech | 3:13 |
2. | "From Past Archives" | 3:22 | |
3. | "Dim" | 2:31 | |
4. | "Processions" | Whitney | 2:49 |
5. | "Face in the Cloud" | Grech | 2:53 |
6. | "Emotions" | 5:10 |
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